Category: Urban Landscapes

sustainable concrete alternatives
January 30th, 2019 by Mark Laurence
The Roman Pantheon Dome

Concrete is a wonderfully versatile material, which has been in use since Roman times and with it we can build amazing structures that would otherwise be impossible. Unfortunately it also carries a huge environmental cost, caused mostly in the cement binding used. Whilst gravel extraction is also an issue, for that there are some alternatives such as recycled, crushed concrete.

The production of modern cement (OPC – ordinary portland cement) is a hugely polluting process and produces around 8% of the world’s carbon emissions – at least twice that of the aviation industry. Whilst the Romans used a volcanic dust called pozzolona as their binding agent, until the invention of OPC, we used lime, in various forms. Lime too has to be processed by heat and so is not without it’s environmental cost, but it uses less energy to produce than cement and lime concrete/mortar reabsorbs carbon over its lifetime (if exposed to the air), offsetting some of the initial pollution. Moreover, because it is softer, materials can be disassembled easily, for re-use.

cement factory
A typical cement factory

In a landscape, there is ubiquitous use of concrete in a range of structures – walls, paving, sub-bases, ponds etc. some of which could be reduced or avoided altogether. Whilst landscaping will always use an insignificant amount of concrete compared to urban development and infrastructure, there are good reasons to minimise the volume of cement and other hard landscape materials used.

Some of these reasons are for obviously sustainable goals: reducing material/resource input and carbon and other wastes. Equally important in my view, is to increase the soft elements exposed in a garden – soils – and to increase the levels of planting and foliage biomass/diversity. This thinking is about the increase of biophilic benefits.

However, if sustainability is to be given top priority – as it must – then the use of cement has to be reduced as much as possible. This is quite a challenge to us all, as it is not always easy to find an alternative and I don’t suggest for one minute that it should never be used, but it should be reserved for essential structural use only. Even then there may be alternatives. Recycled concrete can make a suitable aggregate (or part of) and low cement alternatives such as CEM 1 reduce the energy and carbon emissions tally.

I have used – and continue to use – concrete in many of my own designs and so this challenge is personal – but then aren’t all sustainability issues.

Let’s look at the different areas of the garden where cement is used:


garden walls
Could these concrete-block walls have been made from rammed chalk?

Walling

Many walls use cement, either in mortar or in concrete blocks as well as in cement renders. In this garden (left) we built retaining walls using hollow concrete block construction on concrete footings with cement render and mineral pigments for the final colouring, with concrete paving slabs as coping. As the site was on a chalk hillside, it may have been possible to construct this using rammed chalk or earth. Indeed, we had a surplus of chalk on the site from the house construction and it would have made perfect eco-sense to have used this to build the walls. The walls could have been rendered using lime based mix, and the coping could have been stone. As the chalk hillside is inherently quite stable, rammed chalk could possibly have been used for the footings too. However, there are so many unknowns, and so few UK examples that it is a risk to do this, especially on such structurally critical terracing. Long-term effects of damp creeping into the walls would have been my main concern.

The cost of rammed earth construction may have been cheaper than conventional construction , both in time to do and in material purchase, especially when the removal off site of subsoil is taken into account.

rammed earth garden walling

Rammed earth garden walling and Cement-substitute coping, GDL.

The picture at right shows rammed earth walls in a sustainable landscape I designed for Grand Designs Live, ExCel, 2006. Rammed earth walls are made by compacting subsoil inside timber or metal formwork. The soil must be kept dry so it needs some kind of footing and capping, here provided by cast copings made with recycled aggregates and partial cement substitute (CEM 2 furnace slag). The gravel to the main paving area is a recycled brick/concrete mix, laid through a geo-grid membrane made from recycled plastic. The aim here is to be as carbon neutral as possible. Planting aspired to be edible (you can eat daylily flowers).

Walling alternatives to concrete include:

  • Cement alternatives/recycled aggregates
  • Rammed Earth
  • Timber walling (railway sleepers etc)
  • Round pole walling (preferably coppiced hardwood)
  • Fences & crib-type embankment walls
  • Brick/stone with lime mortar (brick also has high energy input)
  • Dry Stone walling

reclaimed paving
Reclaimed brick and stone flags have charm and have exhausted their carbon dues. (Apart from cleaning and transport).

Paving

Modern paving is often made from concrete and in some instances it is quite hard to find realistic substitutes. Stone paving is the obvious one but can be expensive. There are many cheaper stone imports available these days, such as Indian Sandstone, which are cost-effective but which carry a high transport and pollution price tag. Reclaimed York paving is highly desirable and of course, reused, so environment friendly but will cost 2-3 times that of cast concrete or Indian Sandstone. Brick is also traditional as paviors but as for walling, still carries a high energy/pollution cost in production, plus is expensive to lay.

For larger areas and drives, self-binding gravels may be one of the better answers, as these form a firm surface, once compacted, without the use of cement. Recycled or local gravels are also acceptable and can be held in place using recycled plastic grids/membranes.

A geo-grid with gravel creates a stable and permeable surface

Paving is one of those areas which highlights the question of just what is sustainable. Is it better to use imported sandstone with its high transport miles but relatively low energy production, or locally made concrete paving with cement and aggregate use, but low transport miles? In either case, the (financial) costs may be similar. There are also ethical and human welfare considerations for stone imported from third world countries, especially in terms of working conditions, health & safety and child labour.

Timber decking can be a viable alternative, especially on sites with changes of levels. Local timbers of the more durable softwoods (like Douglas fir or larch), green oak, Sweet chestnut or recycled tropical hardwoods. All new timbers should be FSC (Forest Stewardship Council) certified. New hardwoods should be avoided even if the have an FSC certificate as there is much illegal timber that still gets sold and even managed plantations may still involves some environmental degradation. They certainly have high transport emissions.

Possible paving alternatives:

  • Recycled stone, brick, cobbles – and concrete slabs
  • Self binding aggregates don’t need cement
  • Fired paviors and tile look beautiful, but are still energy intensive
  • local or recycled aggregates and gravels
  • Decking can be used where appropriate
  • Locally produced concrete slabs minimise transport and can have lower carbon footprint than imported stone
  • Third-world stone may be low energy, but high transport emissions

concrete in a pond

A “natural” pond marginal shelf with protective concrete pad

Ponds

Even natural looking ponds may use concrete in their construction and formal ponds may be dominated by it. Again choice of alternatives is limited.

Concrete is often used to retain rocks and place protective pads over liners, etc. In many places it may be possible to do without concrete pads, which are often used in a “belt-and-braces” approach to protecting a liner. Felt geomembranes are used as standard as a layer underneath and often inside the liner (this may in fact be degraded by contact with concrete) and in many cases, use of additional layers of felt may eliminate the need for concrete. Felt is usually a synthetic, petroleum based product, so also has its environmental considerations (as do liners!). I have successfully used old carpet as replacement for felt, under the pond (I wouldn’t recommend it inside) but be VERY wary of tacks that may have been used. Non-synthetic carpet will degrade over time, which must be born in mind. Of course, before the advent of felt, liners were simply bedded on a layer of sand.

Where rocks and stones create waterfalls, they are used to form spillways and to prevent stones moving when climbed over or stepped upon (an important safety consideration). It may be possible to use hydraulic lime based concretes for this, although I haven’t tried this out. Perhaps well laid rocks, without the use of cement are the key, which would require a careful re-thinking of the construction method. Nature doesn’t use concrete, but then natural streams don’t retain water within an artificial environment (liner). A more holistic approach to water features, where the roof water and household grey water are recycled and the pond design doesn’t hold a fixed level or amount of water, may be the long term answer.


So looking at alternatives to cement raise as many questions as answers and in the 12 or so years since this article was first written, there has been some progress, but not much. Best advice is to minimise the use wherever possible, recognising the long-term durability and benefits of strength that concrete possesses.


First published in 2007, updated 2019

Posted in Climate Change, Environment, landscapes, Sustainability, Urban Landscapes Tagged with: , , , , , , , , ,

Living walls as part of a building biomembrane
January 22nd, 2019 by Mark Laurence

NOTE: This article was first written in 2006, so some aspects have been updated to reflect current realities.

Hundertwasser House, Vienna

Biomembranes is a term I’m borrowing from biology (the structure bounding a cell) to describe the outer skin of future self-sustaining buildings. I have stated elsewhere that I believe that for the built environment – and therefore our societies – to become sustainable, every building and community must deal with its own wastes, generate its own energy and provide nourishment – both physical and emotional – for the occupiers. Only by the creation of truly independant, carbon neutral buildings can we achieve this.

A building biomembrane
A building biomembrane

This would be a subtle and far reaching art, not easy to achieve but I believe that the rewards would be many, not to mention necessary. In this respect, the science of biomimicry will play an important part, for example, in developing paint-on polymers that photosynthesize energy, or tensioned fabric five times stronger than steel or kelvar, made with no heat or pollution, just like a spider’s thread. Whilst we haven’t perfected those products yet, let me list some of the benefits we can look to achieve in the near future:

  • horizontal and vertical skins of living plants that insulate, filter the air of dust and pollution, dampen noise and attract wildlife. Current living walls are used sparingly as art pieces.
  • composting and filtration systems that clean the building’s waste and return nutrients and water to the biomembrane and surrounding landscape.
  • Algal biofuel production using building wastes.
  • interior landscapes that provide internal cleansing and beauty.
  • blurring of internal/external space.
  • energy generation as integral with the building fabric as passive solar/pv/wind.
  • pedestrianised streets as wooded valleys or urban forest gardens.
  • SUDS drainage to filter excess water straight back to the local water table.
  • pedestrian/bike/electric vehicle shared surfaces removing car domination.
  • increase of social space by good design.
Living wall by Mark Laurence, Trondheim University, Norway
Living wall by Mark Laurence, Trondheim University, Norway

Some of these ideas are becoming well established, such as green (or living) roofs and walls, others are being played with by a few, but as yet, no one is trying to pull all these things together into a cohesive whole system. I am thinking of concepts such as combining vertical greening with greywater filtration, active cooling systems, air purification and algal biofuel from building wastes. I have recently been inspired by the work of the world-renowned architect Ken Yeang (Llewelyn Davies Yeang) based in London and Malaysia. Ken has worked extensively on the concepts of bio-climatic buildings and so his ideas are very close to my heart. Furthermore, one of his main concerns is the organisation of internal space by social structure, rather than by economic return on investment. This very much reminds me of the work of Christopher Alexander (see Pattern Language); despite apparent differences of style, the underlying philosophy is similar, Ken’s work placing it into a modern urban context.

Bio-climatic tower by Ken Yeang

There is a lot to do but the future will need autonomous bio-buildings that take care of themselves without external input, other than sunlight and human organisation. The main challenge is then to retrofit these systems to existing buildings, which will always be the large majority of available building stock.

Meanwhile, take inspiration from the work of Hundertwasser (top right) and Ken Yeang (bottom right). The application of green technology, biological water filtration and the use of every surface to create living, breathing buildings shows that humanity can and will grow up and see beyond the profit line, which so dominates and limits current thinking.


First published in 2006

Posted in Biophilia, Climate Change, Design, Ecosystem Services, Environment, living walls, Sustainability, Urban Landscapes, Vertical Greening Tagged with: , , , , , ,

A good transitional entrance space between house and garden
November 6th, 2018 by Mark Laurence

This article was first published in 2009.

There are few aspects of our built environment more emotive that that of the entrance door. It can mean shelter, warmth, food, security, friendship. All of life involves the act of entrance, from the earliest caveman to the present day.

How many times per day do we go in and out of buildings and our homes? We scarcely stop to think about it, yet entrances all convey subconscious messages which can affect us on deeper levels, for good or ill. Some doorways are enticing, friendly; some oppressive; some just dingy and neglected. Most are probably functional and non-descript, of itself a message just as powerful as the others.

We move from our homes to cars, to shops, offices or other houses. Each time we do this we experience a subtle shift in light levels, humidity, warmth, expectations and intentions. Our mood shifts and adjusts with our purpose and our expectations. Going to work we might subconsciously don a mask as we enter busy offices or a large railway station. Arriving home again, we relax as we walk up the path, shedding the mask as we close the door behind us.

A Wisteria-covered pergola gives a deep connection

A Wisteria-covered pergola gives a deep connection between the kitchen door, driveway, outhouse and rear garden

The physical structure of a building and its entrances tell us what to expect: grand doorways with tall columns tell us of status, power and authority. Grim entrances to prisons have an unmistakable message. In public buildings especially, proportion is everything, where tall ceilings and doors give formality. By contrast a humble cottage door or an old garden gate recessed into an ivy-covered wall might look secretive or inviting, asking us to explore the spaces beyond. What do the doors to our homes tell us? Most front doors are rather bland or feel inauthentic, for example the many mock-Georgian style doors on modern houses offer us nothing more than a thin veil of pseudo-style applied over a nondescript structure.

In the home, layout and door position is also important. The front door is our formal entrance to the world, the back for our private comings and goings. Yet how many house layouts truly observe such simple criteria? Some houses have both the front and back doors equally visible, with no clear indication as to which is which. Or the back door opens onto a narrow side passage, rather than directly onto the garden. Many of us live with awkward house layouts.

Overcoming the problem of awkward flow is, however, fundamental to the harmonious functioning of a house and its occupants. On occasions when looking at a house and the way it connects to the garden, I have recommended the re-location of the rear door. It sounds extreme but I have had several clients who were very glad they took my advice. Fundamental problems sometimes need bold solutions and the picture below is one such example.  Here, a new connection from kitchen into the garden via a (new) seating area made a big transformation.

French doors give connection to the garden

New French doors give connection to the garden, creating a new experience in this house

French or patio doors aren’t always the bonus they’re meant to be, though. Sometimes these confuse the traffic-flow and can destroy the usability of the room in which they occur. Lines of movement (inside or out) should not cut through a still-point. Of course, sliding doors which truly open up the house and invite a more relaxed transition can be fantastic. It’s all down to careful thought and good design.

So much for placement, what of the physical act of entering and leaving? All too often it’s a bit, well, abrupt. Ground and wall meet at the perpendicular, at which point, there’s a door. You open it, go in or out. That’s it – all over with. Yet it takes a moment to adjust, from one environment to another, both physically (light and warmth) and mentally (tasks, purpose, relaxation). Ideally therefore, we need a space in which to adjust, to experience transition, even if it’s for just one second. That space becomes an area that is “in-between” – it could be a porch to the front entrance or a pergola to the rear. A covered walkway might lead to the car, a path or set of steps might connect us to the garden.

How this transitional space is styled will of course depend upon its use. For a front door, nothing beats a good porch or recessed doorway. The visitor waits in this transitional space for the door to be opened, the owner pauses to find their keys. Both might be glad to be out of the rain, or bathed in a welcoming light at night. Where possible, the porch should be preceded in the approach by a path and suitable planting, building up the sense of arrival. In these days of open-plan front gardens, attention to these simple things can make a big difference.

Where a door fronts onto a street, a roof canopy over the door and some tubs or wall planters might serve. A step up onto a different level might be frowned upon by planners, but where disabled access is not an issue, a step up, off the pavement can make a huge difference – suddenly we are in stasis, out of the busy flow of the main path.

To the rear, where a door connects you to the garden, there are multiple ways to enrich the experience of transition. A pergola might frame a door and be part of a larger structure which defines an outdoor room. Conservatories and lean-tos might be the connecting space. Loggias and verandas make a great transitional area. Where the back door has to be to the side of the house, perhaps make a shady passage covered by pergola, with ferns, foliage and climbers to give dappled light. Choose a good brick or stone and make it feel like a tunnel leading out into the garden proper.

So think about the way you move in and out of your house. Imagine the use, mood and character you wish to create and then find the structure to answer that need. A good entrance can really root a building into its environment and enhance the user experience considerably. If a building feels settled, like it belongs, you will too. Don’t put up with the merely adequate – enrich that transitional moment and rediscover the lost art of entrance.

Posted in Design, design principles, Garden Design, landscapes, Uncategorized, Urban Landscapes Tagged with: , , , , , , ,

Curvilinear form in the garden
October 28th, 2018 by Mark Laurence

This was first published in 2009 and is referred to in Wikipedia.

 

Curves are an integral element of design and especially of landscape, since they make a connection to nature, which does not use linear form. Curvilinear lines are notoriously difficult to achieve as they are invariably of a freeform nature (ignoring geometric curves which are formed by arcs) and are subject to interpretation “by eye” of the person setting out the design. A few centimetres either way can however, throw a curve out, disrupting its harmonic flow.

As someone who designs a lot with organic, freeform curves, I have seen horrendous attempts at setting out curves by contractors who are nonetheless competent in every other respect. It’s not about ability so much as a certain way of seeing things. Perhaps drawing curves that work is the ultimate test and definition of a good designer, whilst the successful setting out of curves on the ground or in three dimensional form separates the artist from the builder.

It’s easy for me to say there are good and bad curves, quite another to explain and illustrate the difference. I have been wanting to write this article for a number of years, but so far put it off because of the difficulty in describing something so abstract. However, understanding curvilinear form is crucial, so I will try to explain something that is for me instinctive, rather than intellectual.

Let’s take as a starting point the difference between intellectual and instinctive design. Intellectually, you might form a series of circles and form a connecting line whilst instinctively, you might just take a pencil and draw a flowing line. The former is precise, controlled, intellectual, inorganic, whilst the latter is instinctive, free-flowing, emotional, organic. This is illustrated at here: need I say which is which?

The freeform line at top left shows two possibilities: the red line is smooth, flowing, but the green line flattens across the natural line of the curve. It is still a freeform line but it no longer feels fluid and loses its sense of movement. The variation from the red line might be only a matter of inches/centimetres but it is enough to disrupt the visual flow. To make matters more complicated, there is seldom just one exact freeform line that is perfect for the situation: in the drawing below left, all of the different lines will do the same job. What determines the correct one is likely to be the relationship of it to other nearby elements. Perhaps the most common mistake is to use too many tight reverse curves - to put in too many “squiggles”, in other words. On the whole, reverse freeform curves should not be too severe or exaggerated. real-life application Let's look at how a predefined space determined the use of curvilinear form. The example at right is (part of) a beach garden I designed a few years ago. The yellow area is the boundary wall - a massive concrete sea defense wall 700mm thick. The kinks and angles in this wall left a space that provided no internal parallels and could only be fully resolved using curvilinear form. The area adjoining this (not shown) was linear in format, as the space there invited. Running all the way along the inside of this boundary wall was a seat, again of massive concrete. This needed breaking up with the introduction of planting beds, leaving small sections of seat in between. The red line represents the nearest linear form that could have been used but you can see that what it describes is naturally curvilinear in nature (the green line). Don't forget that all curves are made up of straight lines (curvi-linear)! The design uses freeform lines to reflect the boundary wall and a spiral acts as a beginning, or end, at the point where most sitting out occurs. This is what I call a “still point”, whilst the main flow of the paving, leading to the adjacent garden, I call a “line of movement”. I do not believe that this area could have been resolved so well using linear means. The main point to note, however, it that the lines had to be freeform: geometrically derived curves would not have worked, although the contractor would have preferred them! I had to assist in the setting out, but once done, a superb job of construction was carried out. The walls were rendered with a specially textured cement based render, which was ideal for the tough coastal conditions.

c

The left hand curve would be preferred by any contractor setting out a garden: provided he gets the centre points in the right place, the rest is simple. the right hand curve requires personal judgment of eye; it is subjective and so much harder to translate from paper onto the ground.

The right hand curve is alive; it has rhythm, flow, it feels right. The other curve simply jars the eye, it is dead, with no movement.

It is true, however, that not every freeform curve is successful. In nature, animals (and Man) move in curved paths, plants follow curved movements, water flows in spiral vertical pathways. All these have a natural rhythm, and for our freeform line to succeed, it must do likewise.

A centred line running through the curves with offset measurements is the best way to translate this from paper but it is still easy to get this wrong, in the manner illustrated below.

 

Curvilinear form - right and wrong

Curvilinear form – right and wrong

curvilinear form - variations of line

curvilinear form – variations of line

The freeform line at top left shows two possibilities: the red line is smooth, flowing, but the green line flattens across the natural line of the curve. It is still a freeform line but it no longer feels fluid and loses its sense of movement. The variation from the red line might be only a matter of inches/centimetres but it is enough to disrupt the visual flow.

To make matters more complicated, there is seldom just one exact freeform line that is perfect for the situation: in the drawing below left, all of the different lines will do the same job. What determines the correct one is likely to be the relationship of it to other nearby elements. Perhaps the most common mistake is to use too many tight reverse curves – to put in too many “squiggles”, in other words. On the whole, reverse freeform curves should not be too severe or exaggerated.

real-life application

Plan showing a curvilinear setout

Plan showing a curvilinear setout

Let’s look at how a predefined space determined the use of curvilinear form.

The example at right is (part of) a beach garden I designed a some years ago. The yellow area is the boundary wall – a massive concrete sea defense wall 700mm thick. The kinks and angles in this wall left a space that provided no internal parallels and could only be fully resolved using curvilinear form. The area adjoining this (not shown) was linear in format, as the space there invited.

Running all the way along the inside of this boundary wall was a seat, again of massive concrete. This needed breaking up with the introduction of planting beds, leaving small sections of seat in between. The red line represents the nearest linear form that could have been used but you can see that what it describes is naturally curvilinear in nature (the green line). Don’t forget that all curves are made up of straight lines (curvi-linear)!

The design uses freeform lines to reflect the boundary wall and a spiral acts as a beginning, or end, at the point where most sitting out occurs. This is what I call a “still point”, whilst the main flow of the paving, leading to the adjacent garden, I call a “line of movement”.

I do not believe that this area could have been resolved so well using linear means. The main point to note, however, it that the lines had to be freeform: geometrically derived curves would not have worked, although the contractor would have preferred them! I had to assist in the setting out, but once done, a superb job of construction was carried out. The walls were rendered with a specially textured cement based render, which was ideal for the tough coastal conditions.

dealing with curvilinear form will always be more problematic than linear, or than curves set out using radii. The rewards are however, subtle and infinitely powerful if you get it right.

Posted in Design, design principles, Garden Design, landscapes, Urban Landscapes Tagged with: , , , , ,

March 6th, 2017 by Mark Laurence

I’m pleased to have launched a new website and blog dedicated to this aspect of my work.  Over time the blog will become a useful resource to all those interested in the care of trees in the Middle-East.  My focus and experience has so far been within the UAE but the tree range is similar in most GCC countries.  treecare UAE

Posted in Arboriculture, Climate Change, Dubai, UAE, Environment, Middle-East, Trees, Urban Landscapes Tagged with: , , , , , ,

February 7th, 2017 by Mark Laurence

On my most recent trip to Dubai, I enjoyed walking through some of the new landscapes that emerge as projects are completed.  The UAE, along with most regions of the Middle-east has a rather limited palette of plants to work with (although that is growing as new plants are tried). What struck me, however, was how poor the quality of nursery stock was in some cases and what problems are being created for later, especially with regards trees.

This is not new, nor confined to this part of the world but it bothers me that new areas of urban green are sometimes given a poor start with sub-standard nursery stock, often flown in from other parts of the world.

Simple pruning at an early stage would have improved this tree’s framework, removing crossing and rubbing branches.

Wandering around a residential area in Jumeirah, I came across some newly planted Delonix regia, one of my favourite exotic trees.  At first glance it looked nice, a simple planting of trees and groundcover but on closer inspection I was somewhat dismayed at the condition of the them.  The problems of poor framework were caused by their time in the nursery, not due to planting, although some of them could have been rectified by a vigilant planting crew.

This tree tie – complete with post – must have been like this from the nursery. The post did not reach the ground.

Many of the dozen or so trees had ties left on which the tree had grown around completely, making them impossible to remove.  As the planting is only around two years old (by my estimation), these may have been on the trees from their time in the nursery.  Possibly the planting was older and pre-dated the building they were attached to and the trees then grew around the ties after planting.  Either way, it’s a strong indication of neglect or lack of care. In the picture below, all the bark ridge above the tie may indicate “included bark” – bark sandwiched against bark, preventing live tissue growth and a strong branch collar formation.

The tree tie is trapped with “included bark” at the branch collar, which indicates a potentially weak branch join.

Several problems are arising here: pre-planting care in the form of correct formative pruning (five minutes with a pair of secateurs) and Post-planting care in terms of releasing planting ties – if they were not simply left over from the nursery days.  If there is no way to go back and release the ties, a bio-degradable tie should have been used.

This Ficus nigra was most likely damaged long before it was planted in this location.

Damage to the main trunk or structural framework of a tree might go unnoticed when the trees are small but cause major problems as the tree gets older and puts on size and weight.  This can range from the cosmetic to the potentially dangerous in a large tree and at this stage the remedy is costly and the expertise hard to find.

 

As fast-growing cities like Dubai mature, the needs of landscape shift from creation (in a hurry) to maintenance (at a constant pace).  Skills, awareness of the need for – and absence  – of skills, will become more and more urgent.  If Dubai wants to keep it’s beautiful, green mantle, then there is a whole new phase of arboricultural care awaiting to be discovered and initiated. I have carried out trees assesments and given basic training of correct pruning methods in the UAE, but that has hardly scratched the surface; there is a lot more to be done.

Trees are the urban, biophilic, blanket that clothe and surround the concrete mountains we build.  Trees make hot places not just bearable, but unbelievably beautiful.  Trees absorb dust, cool the air, add moisture and oxygen and enrich our Souls.  We need to honour and look after them, so that they can look after us.

Posted in Arboriculture, Biophilia, Climate Change, Dubai, UAE, Environment, landscapes, Middle-East, Trees, Urban Landscapes Tagged with: , , , , , , ,

horticultural robot
August 23rd, 2016 by Mark Laurence

The way in which we design, create, maintain and use urban landscapes is likely to change radically in the next 15 years (in fact, modern society is in for overwhelming change).  Urbanisation, climate change and the rapid rise of technology and artificial intelligence (AI) will see to that. Don’t think that the rate of change will be the same as has occurred in the previous 15 years, for technological growth is on an exponential growth curve, not a linear one.  Cities and systems are becoming smart, connected to the Internet of Things and that is just for starters.  So how will this change the way we design and use our urban landscapes?

Firstly, we know that there is huge movement of populations from rural to urban life, especially in the developing worlds and most markedly in Asia.  This creates huge pressure for new urban infrastructure and this is not always well planned growth, especially in terms of forward thinking to account for future changes.  Nonetheless, it is happening and happening fast.  The UN expects 66% of the world’s population to be urban by 2050, by which time there will be 9bn of us – so 6bn in cities.  Mega-cities have to grow in a way that sustains huge numbers of people.

Secondly, climate change is also occurring at exponential rates, raising the difficulties of living in any environment but with especial problems for mega cities, most of which are in coastal regions and subject to rising sea levels and worsening weather patterns.  Cities are hotter than the surrounding land due to the nature of materials used, whilst heavy rainfall brings flash-flooding. In arid countries, built environments are in danger of becoming too hot for humans to inhabit. Cities will have to take on these challenges, generating micro-climate.

Thirdly, technological change is happening exponentially and this will impact what we do, how we live, how – if – we work and how we tackle the above problems.  Some view the challenges and changes with fear, thinking they will only exacerbate problems.  They could do, anything can be mismanaged (such as a planet) for example.  I foresee that technology is actually the only way we are going to get ourselves out of the mess we have created, the only thing that can act on the vast scale needed to re-balance an out-of-kilter Gaia.

When we take these three factors into account, we can see that the future of urban landscapes has to be so much more than the addition of the odd pocket-park here and there.  Landscapes have to mitigate the environmental factors, make huge mega-cities liveable for a population increasingly disconnected from nature and provide meaningful lives in an era when many of us may not work in the way we are used to.

A weedy landscape

Weedy and neglected landscape plantings are all too common. No-one wants to pay for maintenance

How will cities become smart and use this to better the environment?  If we are looking to increase the amount of urban landscaping significantly, then the first issue to tackle is cost of maintenance.  No one wants to pay for maintenance and often, no one does.  How many planted landscapes do you see smothered in weeds, wrecking or negating the designed purpose?  Or municipal plantings and car-parks where plants inevitably die and are never replaced, leaving huge gaps.  Shrubs hedge trimmed into amorphous shapes because that’s the quickest way to “maintain” them.  It’s a poor standard and it’s all we’re going to get – no-one is going to pay for trained horticulturalists to do something better.

landscape lobotomy

Landscape lobotomy: maintenance is the quickest, cheapest possible

Yet there is an interesting possibility – automation is likely to remove nearly 50% of jobs in the next decade, especially low-skilled or repetitive ones.  In the landscape trade, there are already semi-autonomous strimmers and grass-cutters on the market, how long before we have horticultural robots maintaining our landscapes?  All the technology is already here, prices are falling and an uplink to an AI would identify every weed known, give the correct procedures, know how and when to prune every plant in common cultivation. Robots would work long hours without tea breaks!  If basic maintenance getters a lot cheaper, we can have more landscape and such robots would be cheaper, eventually.  Living walls would be a prime candidate, with a simple maintenance cradle (much like a 3D printer head) that crosses the wall with a maintenance bot on it.  I’ve seen so many potential living wall projects fall at the maintenance-cost hurdle.  In such a scenario, displaced maintenance crew can retrain as bot-supervisors or true horticulturalist for private clients.

horticultural robot

Horticultural robots will make maintenance cheaper and more effective.

We’re going to have to do more than just make maintenance affordable; rather, that is the factor that releases the possibility to do more urban landscaping.  Many of the elements we need to put in place are already in existence and being used, but we need to join the dots and think holistically.  For example, green roofs are seen as a separate trade from green (I prefer living) walls.  Instead, we need to be talking of biological membranes (biomembranes) for buildings, a whole-system concept, where the living skin regulates the internal environment, filters pollution in both directions, dealing with generation of energy, cooling, clean air and water. Living walls that currently use potable water for irrigation when they could be cleaning up the used greywater that all buildings generate is another example.

building biomembrane

Building Biomembranes regulate building ecology and create vertical landscapes

Systems that provide services that are of consequence to the functioning of a building, street, or neighbourhood need careful management and control, much of which will become automated.  In just the last year, for example, new irrigation controllers have come on the market which not only are connected to you via internet, they also connect to the nearest weather station and adjust their regime according to the conditions.  I use these for living walls; I do not advocate any irrigation for horizontal landscapes in temperate climates.  But things will move beyond this, with AI monitoring ground moisture levels and moving harvested rainwater from one holding system out to another part of the city where it is needed.  And urban farming – especially vertical – will be a large part of mega-city greening, although it might not be on display.  Sophisticated hydroponic systems are springing up in warehouses and roof-top polytunnels all over.  Such food can and should be organic, local, healthy, nutritious.

A smartly connected landscape means we can maximize the benefit it gives to the people who live, work or pass through it.  With the majority of people living in urban mega cities, we have to create an environment that is fit for ultra-dense urban living.  As these metropolis’ grow, people will have less and less daily contact with Nature, which is not good for our deeper wellbeing.  Biophilia is our innate need for contact with the natural world: plants, trees, flowers, insects, sunlight, water, earth.  A concrete jungle is not a substitute for the real thing but we mostly won’t have time to “get out there” and experience wild Nature.

I think inner city pollution will blow over – excuse the pun- in the next 5-10 years as we start a massive switch over to electric transport, most of it driverless.  In fact, drone taxis are already under development and as buildings and living habitats reach skyward we can expect the landscape to move with them.  It will become commonplace to have high-level dronepads – even private ones.  Some people might not even go down to the ground much!  So landscapes and biophilia must come to them.  Fortunately, there is a rash of building-integrated vegetation going on and I see this trend increasing.  Incidentally, if you wanted more good reasons for using bots to maintain planting, imagine working on living walls or trees that are 50 stories up!

As for the wider environment and the looming crisis of climate change, I can only hope that emerging nanotechnologies give us the tools to clean up our act and neutralise the positive feedback loops we are creating.  Scientists are already working on nanotechnologies which capture and convert carbon into useful materials and one day such microscopic machines may roam our land and seas, removing plastics and other dangerous waste.  If this is done at a molecular level, we turn problems into resources.  We’ll be printing our houses (already being tested) compounds made from waste materials but without the current worries of using say, bricks made from recycled plastic which off-gas VOCs.  We can only hope these technologies emerge before it’s too late to save the climate in a state that we can survive in.

 

So the next 10-15 years are going to see change at an unprecedented rate and it may not all be a smooth ride.  I am excited by it however and think that there is much to be done to ensure that we create new urban environments worthy of habitation and that we take care of all environments and indeed the whole planet.  Smart cities are coming and at their best they could loosen our imaginations and liberate us from a monotonous life of work and stress.  Let’s make that the scenario that happens…

Posted in Biophilia, Climate Change, Design, Ecosystem Services, Environment, Landscape Futurism, landscapes, living walls, Smart Cities, Sustainability, Urban Landscapes, Vertical Greening Tagged with: , , , , , , , , , , , , , , ,