Concrete is a wonderfully versatile material, which has been in use since Roman times and with it we can build amazing structures that would otherwise be impossible. Unfortunately it also carries a huge environmental cost, caused mostly in the cement binding used. Whilst gravel extraction is also an issue, for that there are some alternatives such as recycled, crushed concrete.
The production of modern cement (OPC – ordinary portland cement) is a hugely polluting process and produces around 8% of the world’s carbon emissions – at least twice that of the aviation industry. Whilst the Romans used a volcanic dust called pozzolona as their binding agent, until the invention of OPC, we used lime, in various forms. Lime too has to be processed by heat and so is not without it’s environmental cost, but it uses less energy to produce than cement and lime concrete/mortar reabsorbs carbon over its lifetime (if exposed to the air), offsetting some of the initial pollution. Moreover, because it is softer, materials can be disassembled easily, for re-use.
In a landscape, there is ubiquitous use of concrete in a range of structures – walls, paving, sub-bases, ponds etc. some of which could be reduced or avoided altogether. Whilst landscaping will always use an insignificant amount of concrete compared to urban development and infrastructure, there are good reasons to minimise the volume of cement and other hard landscape materials used.
Some of these reasons are for obviously sustainable goals: reducing material/resource input and carbon and other wastes. Equally important in my view, is to increase the soft elements exposed in a garden – soils – and to increase the levels of planting and foliage biomass/diversity. This thinking is about the increase of biophilic benefits.
However, if sustainability is to be given top priority – as it must – then the use of cement has to be reduced as much as possible. This is quite a challenge to us all, as it is not always easy to find an alternative and I don’t suggest for one minute that it should never be used, but it should be reserved for essential structural use only. Even then there may be alternatives. Recycled concrete can make a suitable aggregate (or part of) and low cement alternatives such as CEM 1 reduce the energy and carbon emissions tally.
I have used – and continue to use – concrete in many of my own designs and so this challenge is personal – but then aren’t all sustainability issues.
Let’s look at the different areas of the garden where cement is used:
Many walls use cement, either in mortar or in concrete blocks as well as in cement renders. In this garden (left) we built retaining walls using hollow concrete block construction on concrete footings with cement render and mineral pigments for the final colouring, with concrete paving slabs as coping. As the site was on a chalk hillside, it may have been possible to construct this using rammed chalk or earth. Indeed, we had a surplus of chalk on the site from the house construction and it would have made perfect eco-sense to have used this to build the walls. The walls could have been rendered using lime based mix, and the coping could have been stone. As the chalk hillside is inherently quite stable, rammed chalk could possibly have been used for the footings too. However, there are so many unknowns, and so few UK examples that it is a risk to do this, especially on such structurally critical terracing. Long-term effects of damp creeping into the walls would have been my main concern.
The cost of rammed earth construction may have been cheaper than conventional construction , both in time to do and in material purchase, especially when the removal off site of subsoil is taken into account.
The picture at right shows rammed earth walls in a sustainable landscape I designed for Grand Designs Live, ExCel, 2006. Rammed earth walls are made by compacting subsoil inside timber or metal formwork. The soil must be kept dry so it needs some kind of footing and capping, here provided by cast copings made with recycled aggregates and partial cement substitute (CEM 2 furnace slag). The gravel to the main paving area is a recycled brick/concrete mix, laid through a geo-grid membrane made from recycled plastic. The aim here is to be as carbon neutral as possible. Planting aspired to be edible (you can eat daylily flowers).
Walling alternatives to concrete include:
Cement alternatives/recycled aggregates
Timber walling (railway sleepers etc)
Round pole walling (preferably coppiced hardwood)
Fences & crib-type embankment walls
Brick/stone with lime mortar (brick also has high energy input)
Dry Stone walling
Modern paving is often made from concrete and in some instances it is quite hard to find realistic substitutes. Stone paving is the obvious one but can be expensive. There are many cheaper stone imports available these days, such as Indian Sandstone, which are cost-effective but which carry a high transport and pollution price tag. Reclaimed York paving is highly desirable and of course, reused, so environment friendly but will cost 2-3 times that of cast concrete or Indian Sandstone. Brick is also traditional as paviors but as for walling, still carries a high energy/pollution cost in production, plus is expensive to lay.
For larger areas and drives, self-binding gravels may be one of the better answers, as these form a firm surface, once compacted, without the use of cement. Recycled or local gravels are also acceptable and can be held in place using recycled plastic grids/membranes.
Paving is one of those areas which highlights the question of just what is sustainable. Is it better to use imported sandstone with its high transport miles but relatively low energy production, or locally made concrete paving with cement and aggregate use, but low transport miles? In either case, the (financial) costs may be similar. There are also ethical and human welfare considerations for stone imported from third world countries, especially in terms of working conditions, health & safety and child labour.
Timber decking can be a viable alternative, especially on sites with changes of levels. Local timbers of the more durable softwoods (like Douglas fir or larch), green oak, Sweet chestnut or recycled tropical hardwoods. All new timbers should be FSC (Forest Stewardship Council) certified. New hardwoods should be avoided even if the have an FSC certificate as there is much illegal timber that still gets sold and even managed plantations may still involves some environmental degradation. They certainly have high transport emissions.
Possible paving alternatives:
Recycled stone, brick, cobbles – and concrete slabs
Self binding aggregates don’t need cement
Fired paviors and tile look beautiful, but are still energy intensive
local or recycled aggregates and gravels
Decking can be used where appropriate
Locally produced concrete slabs minimise transport and can have lower carbon footprint than imported stone
Third-world stone may be low energy, but high transport emissions
Even natural looking ponds may use concrete in their construction and formal ponds may be dominated by it. Again choice of alternatives is limited.
Concrete is often used to retain rocks and place protective pads over liners, etc. In many places it may be possible to do without concrete pads, which are often used in a “belt-and-braces” approach to protecting a liner. Felt geomembranes are used as standard as a layer underneath and often inside the liner (this may in fact be degraded by contact with concrete) and in many cases, use of additional layers of felt may eliminate the need for concrete. Felt is usually a synthetic, petroleum based product, so also has its environmental considerations (as do liners!). I have successfully used old carpet as replacement for felt, under the pond (I wouldn’t recommend it inside) but be VERY wary of tacks that may have been used. Non-synthetic carpet will degrade over time, which must be born in mind. Of course, before the advent of felt, liners were simply bedded on a layer of sand.
Where rocks and stones create waterfalls, they are used to form spillways and to prevent stones moving when climbed over or stepped upon (an important safety consideration). It may be possible to use hydraulic lime based concretes for this, although I haven’t tried this out. Perhaps well laid rocks, without the use of cement are the key, which would require a careful re-thinking of the construction method. Nature doesn’t use concrete, but then natural streams don’t retain water within an artificial environment (liner). A more holistic approach to water features, where the roof water and household grey water are recycled and the pond design doesn’t hold a fixed level or amount of water, may be the long term answer.
So looking at alternatives to cement raise as many questions as answers and in the 12 or so years since this article was first written, there has been some progress, but not much. Best advice is to minimise the use wherever possible, recognising the long-term durability and benefits of strength that concrete possesses.
There are few aspects of our built environment more emotive that that of the entrance door. It can mean shelter, warmth, food, security, friendship. All of life involves the act of entrance, from the earliest caveman to the present day.
How many times per day do we go in and out of buildings and our homes? We scarcely stop to think about it, yet entrances all convey subconscious messages which can affect us on deeper levels, for good or ill. Some doorways are enticing, friendly; some oppressive; some just dingy and neglected. Most are probably functional and non-descript, of itself a message just as powerful as the others.
We move from our homes to cars, to shops, offices or other houses. Each time we do this we experience a subtle shift in light levels, humidity, warmth, expectations and intentions. Our mood shifts and adjusts with our purpose and our expectations. Going to work we might subconsciously don a mask as we enter busy offices or a large railway station. Arriving home again, we relax as we walk up the path, shedding the mask as we close the door behind us.
A Wisteria-covered pergola gives a deep connection between the kitchen door, driveway, outhouse and rear garden
The physical structure of a building and its entrances tell us what to expect: grand doorways with tall columns tell us of status, power and authority. Grim entrances to prisons have an unmistakable message. In public buildings especially, proportion is everything, where tall ceilings and doors give formality. By contrast a humble cottage door or an old garden gate recessed into an ivy-covered wall might look secretive or inviting, asking us to explore the spaces beyond. What do the doors to our homes tell us? Most front doors are rather bland or feel inauthentic, for example the many mock-Georgian style doors on modern houses offer us nothing more than a thin veil of pseudo-style applied over a nondescript structure.
In the home, layout and door position is also important. The front door is our formal entrance to the world, the back for our private comings and goings. Yet how many house layouts truly observe such simple criteria? Some houses have both the front and back doors equally visible, with no clear indication as to which is which. Or the back door opens onto a narrow side passage, rather than directly onto the garden. Many of us live with awkward house layouts.
Overcoming the problem of awkward flow is, however, fundamental to the harmonious functioning of a house and its occupants. On occasions when looking at a house and the way it connects to the garden, I have recommended the re-location of the rear door. It sounds extreme but I have had several clients who were very glad they took my advice. Fundamental problems sometimes need bold solutions and the picture below is one such example. Here, a new connection from kitchen into the garden via a (new) seating area made a big transformation.
New French doors give connection to the garden, creating a new experience in this house
French or patio doors aren’t always the bonus they’re meant to be, though. Sometimes these confuse the traffic-flow and can destroy the usability of the room in which they occur. Lines of movement (inside or out) should not cut through a still-point. Of course, sliding doors which truly open up the house and invite a more relaxed transition can be fantastic. It’s all down to careful thought and good design.
So much for placement, what of the physical act of entering and leaving? All too often it’s a bit, well, abrupt. Ground and wall meet at the perpendicular, at which point, there’s a door. You open it, go in or out. That’s it – all over with. Yet it takes a moment to adjust, from one environment to another, both physically (light and warmth) and mentally (tasks, purpose, relaxation). Ideally therefore, we need a space in which to adjust, to experience transition, even if it’s for just one second. That space becomes an area that is “in-between” – it could be a porch to the front entrance or a pergola to the rear. A covered walkway might lead to the car, a path or set of steps might connect us to the garden.
How this transitional space is styled will of course depend upon its use. For a front door, nothing beats a good porch or recessed doorway. The visitor waits in this transitional space for the door to be opened, the owner pauses to find their keys. Both might be glad to be out of the rain, or bathed in a welcoming light at night. Where possible, the porch should be preceded in the approach by a path and suitable planting, building up the sense of arrival. In these days of open-plan front gardens, attention to these simple things can make a big difference.
Where a door fronts onto a street, a roof canopy over the door and some tubs or wall planters might serve. A step up onto a different level might be frowned upon by planners, but where disabled access is not an issue, a step up, off the pavement can make a huge difference – suddenly we are in stasis, out of the busy flow of the main path.
To the rear, where a door connects you to the garden, there are multiple ways to enrich the experience of transition. A pergola might frame a door and be part of a larger structure which defines an outdoor room. Conservatories and lean-tos might be the connecting space. Loggias and verandas make a great transitional area. Where the back door has to be to the side of the house, perhaps make a shady passage covered by pergola, with ferns, foliage and climbers to give dappled light. Choose a good brick or stone and make it feel like a tunnel leading out into the garden proper.
So think about the way you move in and out of your house. Imagine the use, mood and character you wish to create and then find the structure to answer that need. A good entrance can really root a building into its environment and enhance the user experience considerably. If a building feels settled, like it belongs, you will too. Don’t put up with the merely adequate – enrich that transitional moment and rediscover the lost art of entrance.
This was first published in 2009 and is referred to in Wikipedia.
Curves are an integral element of design and especially of landscape, since they make a connection to nature, which does not use linear form. Curvilinear lines are notoriously difficult to achieve as they are invariably of a freeform nature (ignoring geometric curves which are formed by arcs) and are subject to interpretation “by eye” of the person setting out the design. A few centimetres either way can however, throw a curve out, disrupting its harmonic flow.
As someone who designs a lot with organic, freeform curves, I have seen horrendous attempts at setting out curves by contractors who are nonetheless competent in every other respect. It’s not about ability so much as a certain way of seeing things. Perhaps drawing curves that work is the ultimate test and definition of a good designer, whilst the successful setting out of curves on the ground or in three dimensional form separates the artist from the builder.
It’s easy for me to say there are good and bad curves, quite another to explain and illustrate the difference. I have been wanting to write this article for a number of years, but so far put it off because of the difficulty in describing something so abstract. However, understanding curvilinear form is crucial, so I will try to explain something that is for me instinctive, rather than intellectual.
Let’s take as a starting point the difference between intellectual and instinctive design. Intellectually, you might form a series of circles and form a connecting line whilst instinctively, you might just take a pencil and draw a flowing line. The former is precise, controlled, intellectual, inorganic, whilst the latter is instinctive, free-flowing, emotional, organic. This is illustrated at here: need I say which is which?
The left hand curve would be preferred by any contractor setting out a garden: provided he gets the centre points in the right place, the rest is simple. the right hand curve requires personal judgment of eye; it is subjective and so much harder to translate from paper onto the ground.
The right hand curve is alive; it has rhythm, flow, it feels right. The other curve simply jars the eye, it is dead, with no movement.
It is true, however, that not every freeform curve is successful. In nature, animals (and Man) move in curved paths, plants follow curved movements, water flows in spiral vertical pathways. All these have a natural rhythm, and for our freeform line to succeed, it must do likewise.
A centred line running through the curves with offset measurements is the best way to translate this from paper but it is still easy to get this wrong, in the manner illustrated below.
Curvilinear form – right and wrong
curvilinear form – variations of line
The freeform line at top left shows two possibilities: the red line is smooth, flowing, but the green line flattens across the natural line of the curve. It is still a freeform line but it no longer feels fluid and loses its sense of movement. The variation from the red line might be only a matter of inches/centimetres but it is enough to disrupt the visual flow.
To make matters more complicated, there is seldom just one exact freeform line that is perfect for the situation: in the drawing below left, all of the different lines will do the same job. What determines the correct one is likely to be the relationship of it to other nearby elements. Perhaps the most common mistake is to use too many tight reverse curves – to put in too many “squiggles”, in other words. On the whole, reverse freeform curves should not be too severe or exaggerated.
Plan showing a curvilinear setout
Let’s look at how a predefined space determined the use of curvilinear form.
The example at right is (part of) a beach garden I designed a some years ago. The yellow area is the boundary wall – a massive concrete sea defense wall 700mm thick. The kinks and angles in this wall left a space that provided no internal parallels and could only be fully resolved using curvilinear form. The area adjoining this (not shown) was linear in format, as the space there invited.
Running all the way along the inside of this boundary wall was a seat, again of massive concrete. This needed breaking up with the introduction of planting beds, leaving small sections of seat in between. The red line represents the nearest linear form that could have been used but you can see that what it describes is naturally curvilinear in nature (the green line). Don’t forget that all curves are made up of straight lines (curvi-linear)!
The design uses freeform lines to reflect the boundary wall and a spiral acts as a beginning, or end, at the point where most sitting out occurs. This is what I call a “still point”, whilst the main flow of the paving, leading to the adjacent garden, I call a “line of movement”.
I do not believe that this area could have been resolved so well using linear means. The main point to note, however, it that the lines had to be freeform: geometrically derived curves would not have worked, although the contractor would have preferred them! I had to assist in the setting out, but once done, a superb job of construction was carried out. The walls were rendered with a specially textured cement based render, which was ideal for the tough coastal conditions.
dealing with curvilinear form will always be more problematic than linear, or than curves set out using radii. The rewards are however, subtle and infinitely powerful if you get it right.
A problem, or an opportunity for a new landscape paradigm?
I was recently working on a tree project in Abu Dhabi when I came across a derelict site which intrigued me with it’s range of exotic self-seeded, non-native plants. The site was next to the Corniche and sandwiched between the Formal Park, my hotel and Capital Gardens. It struck me initially as the perfect basis of a xeriscape, as all the plants (mostly trees) were thriving without irrigation. On closer inspection and identification of the species involved, things got more complex and raised a lot of potentially conflicting thoughts and issues.
A natural Xeriscape
The site was clearly awaiting redevelopment and the plant invasion was opportunistic. Nothing that I could identify was native, yet all seemed happy there. When you see the list, you might understand why. Amongst the plastic and litter I identified:
Of those plants, the P. juliflora was the most robust and when you look at its reputation, that is of no surprise. It was of landscape scale, lush and greener than anything in the adjacent parks. It’s form, leaf, flowers and seeds are attractive from a landscape perspective. Yet this is undoubtedly the most controversial plant on this list – some would say alarming. A Native of arid zones in central and South America, this was, like so many others, introduced into the UAE in the 70’s as a forestry plant. Lauded as something of a super-crop tree, it is tenacious, vigorous, provides fuelwood and stock-feed in the form of abundant seeds. The latter, it turned out, were a problem in that they are spread by cattle and are extremely aggressive. Plants also regenerate rapidly from the roots when cut back and they reputedly produce biochemical inhibitors to suppress competition (allelopathy). With no natural competitors in the UAE and roots that can descend 50m in search of water, they out-compete native flora, even their cousin, Prosopis cineraria (ghaf tree).
Prosopis juliflora flowers
P. juliflora has a low, mounding habit, attractive from a landscape point of view.
Also on the site were a number of Banyan trees, Ficus benghalensis, which seemed to be growing happily. Another tough survivor, it should be borne in mind that the water table here is likely only a metre or so below ground, although it will have a high saline content.
Then there was Eucalyptus camaldulensis , another forestry/amenity introduction of the 70’s, also known and now generally avoided for its aggressive roots, yet here looking beautiful with its grey, lanceolate foliage. This was the tallest tree on site.
Eucalyptus camaldulensis , showing adult foliage
Of course, there was the ubiquitous Conocarpus lancifolius, widely planted still yet also recognised and a danger to any nearby drains, and on it’s way out in popular use. Except it does make such a good tall hedge, and it has a much nearer native origin, coming from Somalia, Djibouti and Yemen. I’m not sure that the UAE landscape industry is ready to ditch it just yet.
There was even a palm, Washingtonia robusta, self-seeded around the place. Much of it was to be found growing underneath the canopy of the P. juliflora, so that at least is not put off by any allelopathic biochemicals from the Prosopis.
I believe this legume is Sesbania sesban, more commonly seen with yellow flowers. Rose-ringed Parakeet
Inhabiting, or at least visiting the site, was a Rose-winged Parakeet. Another exotic invasive with beautiful form but aggressive tendencies; it seemed appropriate to the moment, somehow.
What does this mean for future landscapes and ecology?
From a conventional ecology point of view, these plants are all threats, and the threats probably outweigh their usefulness. So why am I even talking about this? Clearly, the move towards more naturalistic landscapes draws heavily on native species and would shun all of these species.
Except we have climate change.
Climate change is the elephant in the room, when it comes to ecology, in fact when it comes to sustainability generally and a livable planet overall. That we have already moved beyond vital tipping points is highly likely; that climate zones are moving away from the equator at a rate too fast for nature to adapt is a fact. Flora and even some fauna just can’t move regions that quickly. They will adapt, eventually; but those that are rare, specialist and struggle with change, will die. The tougher generalists will adapt and survive. Nature will build a new ecology to reflect the new reality, and it doesn’t mind if it takes a few thousand years to do so. Only we humans mind and so, if we are to survive, we must adapt our environments to fit the new reality. It is a sad fact that many cherished plants will eventually die out or move zones. In the UK, I dread losing our native oaks (I view these as our ghaf tree equivalent), yet we may get Mediterranean species to replace them, such as holm and cork oak.
If you are already positioned in the arid equatorial zones then you have precious few plants that will form your new ecologies and landscapes. Perhaps the plants I have described above will be UAE naturalized-natives in 100 years’ time and the ghaf and sidr may be gone, or diminished, or moved north. I hope not, but before we spend vast fortunes on eradication and control of non-natives, we should look to the future. These aggressive invaders may just form the landscape of our children; I know I’d rather live with a landscape, than none at all. If there is no landscape, there is no life. They may, in fact, be here to save us.
Once we grasp this fact, we can look at building new landscapes to suit our changing environments. I’ve written about this before and you can read the articles listed below. We must be vastly more holistic in our thinking in order to do this and broaden our horizons to understand the new future. Technology will help us to monitor, collect data and produce working strategies. Robotics and drones will help manage and control plant communities. Alongside that, we need a vastly better understanding of soils, microflora and fauna, for the bit of nature that we see is just, literally, the tip of the iceberg. The selection of tree and shrub species for adaptation is easy, we get this wrong when we don’t deal in whole context thinking eg. only thinking of forestry or ornamental benefits.
The challenge ahead is huge but in a weird way, exciting; it will challenge the human race to grow. There’s a whole new science to develop and we’d best get on with it.
According to Google, the site has been cleared some time in 2019:
The way in which we design, create, maintain and use urban landscapes is likely to change radically in the next 15 years (in fact, modern society is in for overwhelming change). Urbanisation, climate change and the rapid rise of technology and artificial intelligence (AI) will see to that. Don’t think that the rate of change will be the same as has occurred in the previous 15 years, for technological growth is on an exponential growth curve, not a linear one. Cities and systems are becoming smart, connected to the Internet of Things and that is just for starters. So how will this change the way we design and use our urban landscapes?
Firstly, we know that there is huge movement of populations from rural to urban life, especially in the developing worlds and most markedly in Asia. This creates huge pressure for new urban infrastructure and this is not always well planned growth, especially in terms of forward thinking to account for future changes. Nonetheless, it is happening and happening fast. The UN expects 66% of the world’s population to be urban by 2050, by which time there will be 9bn of us – so 6bn in cities. Mega-cities have to grow in a way that sustains huge numbers of people.
Secondly, climate change is also occurring at exponential rates, raising the difficulties of living in any environment but with especial problems for mega cities, most of which are in coastal regions and subject to rising sea levels and worsening weather patterns. Cities are hotter than the surrounding land due to the nature of materials used, whilst heavy rainfall brings flash-flooding. In arid countries, built environments are in danger of becoming too hot for humans to inhabit. Cities will have to take on these challenges, generating micro-climate.
Thirdly, technological change is happening exponentially and this will impact what we do, how we live, how – if – we work and how we tackle the above problems. Some view the challenges and changes with fear, thinking they will only exacerbate problems. They could do, anything can be mismanaged (such as a planet) for example. I foresee that technology is actually the only way we are going to get ourselves out of the mess we have created, the only thing that can act on the vast scale needed to re-balance an out-of-kilter Gaia.
When we take these three factors into account, we can see that the future of urban landscapes has to be so much more than the addition of the odd pocket-park here and there. Landscapes have to mitigate the environmental factors, make huge mega-cities liveable for a population increasingly disconnected from nature and provide meaningful lives in an era when many of us may not work in the way we are used to.
Weedy and neglected landscape plantings are all too common. No-one wants to pay for maintenance
How will cities become smart and use this to better the environment? If we are looking to increase the amount of urban landscaping significantly, then the first issue to tackle is cost of maintenance. No one wants to pay for maintenance and often, no one does. How many planted landscapes do you see smothered in weeds, wrecking or negating the designed purpose? Or municipal plantings and car-parks where plants inevitably die and are never replaced, leaving huge gaps. Shrubs hedge trimmed into amorphous shapes because that’s the quickest way to “maintain” them. It’s a poor standard and it’s all we’re going to get – no-one is going to pay for trained horticulturalists to do something better.
Landscape lobotomy: maintenance is the quickest, cheapest possible
Yet there is an interesting possibility – automation is likely to remove nearly 50% of jobs in the next decade, especially low-skilled or repetitive ones. In the landscape trade, there are already semi-autonomous strimmers and grass-cutters on the market, how long before we have horticultural robots maintaining our landscapes? All the technology is already here, prices are falling and an uplink to an AI would identify every weed known, give the correct procedures, know how and when to prune every plant in common cultivation. Robots would work long hours without tea breaks! If basic maintenance getters a lot cheaper, we can have more landscape and such robots would be cheaper, eventually. Living walls would be a prime candidate, with a simple maintenance cradle (much like a 3D printer head) that crosses the wall with a maintenance bot on it. I’ve seen so many potential living wall projects fall at the maintenance-cost hurdle. In such a scenario, displaced maintenance crew can retrain as bot-supervisors or true horticulturalist for private clients.
Horticultural robots will make maintenance cheaper and more effective.
We’re going to have to do more than just make maintenance affordable; rather, that is the factor that releases the possibility to do more urban landscaping. Many of the elements we need to put in place are already in existence and being used, but we need to join the dots and think holistically. For example, green roofs are seen as a separate trade from green (I prefer living) walls. Instead, we need to be talking of biological membranes (biomembranes) for buildings, a whole-system concept, where the living skin regulates the internal environment, filters pollution in both directions, dealing with generation of energy, cooling, clean air and water. Living walls that currently use potable water for irrigation when they could be cleaning up the used greywater that all buildings generate is another example.
Building Biomembranes regulate building ecology and create vertical landscapes
Systems that provide services that are of consequence to the functioning of a building, street, or neighbourhood need careful management and control, much of which will become automated. In just the last year, for example, new irrigation controllers have come on the market which not only are connected to you via internet, they also connect to the nearest weather station and adjust their regime according to the conditions. I use these for living walls; I do not advocate any irrigation for horizontal landscapes in temperate climates. But things will move beyond this, with AI monitoring ground moisture levels and moving harvested rainwater from one holding system out to another part of the city where it is needed. And urban farming – especially vertical – will be a large part of mega-city greening, although it might not be on display. Sophisticated hydroponic systems are springing up in warehouses and roof-top polytunnels all over. Such food can and should be organic, local, healthy, nutritious.
A smartly connected landscape means we can maximize the benefit it gives to the people who live, work or pass through it. With the majority of people living in urban mega cities, we have to create an environment that is fit for ultra-dense urban living. As these metropolis’ grow, people will have less and less daily contact with Nature, which is not good for our deeper wellbeing. Biophilia is our innate need for contact with the natural world: plants, trees, flowers, insects, sunlight, water, earth. A concrete jungle is not a substitute for the real thing but we mostly won’t have time to “get out there” and experience wild Nature.
I think inner city pollution will blow over – excuse the pun- in the next 5-10 years as we start a massive switch over to electric transport, most of it driverless. In fact, drone taxis are already under development and as buildings and living habitats reach skyward we can expect the landscape to move with them. It will become commonplace to have high-level dronepads – even private ones. Some people might not even go down to the ground much! So landscapes and biophilia must come to them. Fortunately, there is a rash of building-integrated vegetation going on and I see this trend increasing. Incidentally, if you wanted more good reasons for using bots to maintain planting, imagine working on living walls or trees that are 50 stories up!
As for the wider environment and the looming crisis of climate change, I can only hope that emerging nanotechnologies give us the tools to clean up our act and neutralise the positive feedback loops we are creating. Scientists are already working on nanotechnologies which capture and convert carbon into useful materials and one day such microscopic machines may roam our land and seas, removing plastics and other dangerous waste. If this is done at a molecular level, we turn problems into resources. We’ll be printing our houses (already being tested) compounds made from waste materials but without the current worries of using say, bricks made from recycled plastic which off-gas VOCs. We can only hope these technologies emerge before it’s too late to save the climate in a state that we can survive in.
So the next 10-15 years are going to see change at an unprecedented rate and it may not all be a smooth ride. I am excited by it however and think that there is much to be done to ensure that we create new urban environments worthy of habitation and that we take care of all environments and indeed the whole planet. Smart cities are coming and at their best they could loosen our imaginations and liberate us from a monotonous life of work and stress. Let’s make that the scenario that happens…
This book represents a new wave of thinking about “natural” planting that has been emerging in recent years; actually it has been developing for the last thirty or more years but like all new things, they tend to follow an exponential growth curve. I’d say that right now we’re near the base of the steep upward bit with this one. Left unchecked, exponential growth tends to end in collapse but this idea deserves to stay the course. To do that it has to translate from a style into a design language and that’s what this book is really about.
This is a very US-centric book, unsurprising since Thomas Rainer is from Alabama and Claudia West, though of East German origin, lives in the US. I would have liked her influence to have given the book a more European feel; it would have been richer for it and more globally relevant.
The book has already been reviewed on TG by James Golden but although I’ve read this I’m not referring to it, save for one point. Needless to say, that review is also very US-centric; my purpose is to give a more UK/European viewpoint.
The thinking in this book is very design-led, in which the authors refer to landscape archetypes, which I think is very useful. However, they only select three – grasslands, wood and shrubland and forest. Given the vastness and variety of American climate types (which has just about everything), I’m surprised they didn’t mention desert landscapes, arid-mountainous or Mediterranean (as in Californian coastal regions); I suspect they have simply not worked with these climates, yet to omit them from a listing of archetypes is limiting. It is clear too, that their interest lies mostly in the grassland or prairie archetype.
There are many archetypes other than the three mentioned in this book. Desert near Dubai, UAE.
Referring back to the JG review, he wanted to add another archetype, Edges. I would argue that the wood and shrubland archetype is an edge, or rather a transition. Only in farmer’s fields do we have an edge as such. I would think of these archetypes as parts of a sine wave, one transitioning into another as climate and topography dictate. This sine wave also rolls around the globe over time, one archetype superseding another in any given place. Remember that the Sahara desert was woodland just 10,000 years ago, when we emerged from the last ice-age. This fits with the theory that there is no such thing as an ecological climax.
Another interesting thing to come out of this book is the idea of “designed plant communities”. You could say that any grouping of plants together is a designed community but the context they use of grouping plants by habitat-type rather than just their visual look is refreshing. This makes good sense, provided that such a designed grouping is appropriate within its wider environmental context. Taken to its logical extreme, however, you end up with native plants only.
What may be harder to work out is how much of this philosophy fits into a garden. Even the largest garden can’t fit in a whole wood, let alone a prairie, so of course, we must work by inference. This aspect of things is not really discussed in the book and most of the pictures are of large gardens in amazing settings; domains of the lucky few who we landscape designers occasionally get to work for. Yet for the majority of small garden owners, instruction for the adaptation of these principles is missing.
The Lurie Garden, Millennium Park, Chicago by Piet Oudolf exemplifies modern Naturalistic planting. This is large ribbons or drifts of plants rather than the species intermingling favoured in this book
The same garden in November; form is held in the stems and shapes of the seedheads but use of some woody plants might add more winter form?
I feel that the book only really looks at one archetype, that of New Perennial/Prairie style gardens and there is a big focus on this at the moment. I might compare this book with Oudolf & Kingsburys “Planting, a New Perspective”. That book, whilst not getting down to the archetypal design level, is more European in focus, so possibly a good companion read. Yet it too, mostly deals with perennial-based planting, as you would expect from these gents. The work of Nigel Dunnett and James Hitchmough comes to mind too. The fast-changing essence of many of the plant species used means that these perennial plantings are subject to rapid change, even degradation, over time as some of the most desirable and favourite species are so short-lived (Achillea and Echinacea for example).
I think the Wood and Shrubland archetype is the most likely to resonate with those seeking to create a garden, yet the ones of great importance to me, in a European and specifically coastal Southern England context, is that of the unmentioned Mediterranean or Arid-Mountainous archetypes. Whilst some areas of the Mediterranean clearly fit the Wood & Shrubland archetype (ie broadleaf and evergreen woodlands and Maquis), others such as Garigue, Salt Marshes and Rocky Shorelines, do not. I think this range and essence adds up to its own unique archetype. Arid-Mountainous too is quite distinct (although again with areas that fall into the realm of other archetypes), yet gives us wonderful, tough plants like Perovskia. The Dutch biologist Brian Kabbes has done much to inspire and educate us with his exploration of plants in Kyrgyzstan.
Perovskia arbrotanoides growing wild in the mountains of Kyrgyzstan. Photo by Brian Kabbes
To me, one of the biggest drivers in creating naturalistic planting communities has always been about resilience. To my mind, planting should survive without irrigation, so low water-use plants are attractive. I can’t think of a single garden in the UK that couldn’t survive without irrigation, the desire to use pop-up sprinklers is ridiculous and surely industry-driven. Climate is changing now beyond speeds that Nature can shift plants and ecologies around the globe, so it is something we humans must do if we want a future landscape of any description (oh, and for our own survival). So we have to transmigrate landscapes from one continent to another to keep pace; yes, with all the risks that entails when introducing new species (and it would not be just plants we’d have to relocate). So learning about plant communities and how to build them is a vital skill which this book begins to explore, yet could have gone much further in instructing us on.
This coastal garden I designed in Southern UK loosely mimics the Mediterranean archetype, and uses a full range of grasses, perennials, sub-shrubs, herbs, shrubs and trees.
In the European context then, archetypes other than grassland/prairie might be more useful and translatable into a garden context. That this book has not covered these is not really surprising but it is a mistake to think that the new language of resilient/natural/sustainable landscapes is dominated by perennials and grasses. This aspect is possibly a trend within the underlying drive for a natural interpretation.
A European version of this book is needed, which could perhaps take it to the next level of design language development. In this respect, inspiration can be drawn from another book, “A Pattern Language” by Christopher Alexander, which although about architecture and space, is also about soul, spirit, context and community, realised through the use of a language of patterns. In a very real way, “Planting in a Post-Wild World” attempts to create an archetype-based design language and is a valuable contribution to that. We just need the language to be global, or to see this book as a regionalised attempt to cross boundaries and develop new thinking.
This is an important book and I recommend it; for all its limitations it shows the way to develop landscapes that are truly new and profound.
In my previous post I talked about a regenerative planting methodology for urban landscapes, in which I suggested you would manage, rather than maintain your planting areas. So how exactly do you you do this? Both involve work and the difference is a subtle but important one, in both attitude and application. Think urban forester rather than garden pruner. The picture above illustrates this perfectly, so let me explain.
It shows two hazels in my garden, both planted as young bare-root trees in the winter of 07/08. The one on the left was coppiced down to the ground in the winter of 12/13, the other has been pruned to keep a structure of older wood, with all suckering growth removed annually. What is the difference? The coppiced hazel has been less work overall and has not been touched since it was coppiced, the pruned tree has been pruned annually, which was not great amount of work but this is just one tree. If there were a hundred, it would be a different matter. The main difference is that the pruned tree has catkins, the coppiced tree does not, but I think this is a difference of genetics, rather than pruning technique, as they have always been like that. The shape of the pruned tree is also wider in its spread and will become gnarled as it gets older.
So in terms of management, if you go the coppice route you do nothing much to the trees except coppice them every 4-5 years. I would suggest that 50% of the trees are coppiced so that not all structure is removed at once. Notice that the growth of the coppiced hazel is straighter, making for a productive yield of canes and poles that can be used in the local community. Other trees that can be coppiced include sweet chestnut, lime, alder, ash, willow and hornbeam. Birch and oak will coppice, but from young trees only. Willows and dogwoods grown as bushes for their winter colour can be coppiced or “copparded” (inbetween coppice and pollard) to around 300-600mm every two years to keep the winter stem colours strong.
Salix elaeagnos (foreground)
By adopting such techniques in our larger masses of urban street planting and parks, we would deliver a more biodiverse, beautiful and biophilic interaction for all concerned. It would also cost less both to establish and possibly to maintain, than traditional planting. The above willow is beautiful and graceful, yet I have seen it all too often used in municipal car-parks and reduced to a-n-other shrub that is caressed all to frequently with the indifference of a hedgetrimmer.
Time to re-wild our inner selves, and our urban landscapes. We can do so much better than the average landscape we see in our towns and cities.
Almost all urban landscapes are contrived and designed, due to their artificial nature and short timescales of development and use. We see increasing use of mature rootballed trees and extensive hard landscape and this is normal for intense inner urban areas; I do get concerned that the increasing complexity of urban planting systems divorce trees particularly from their natural functions and prevent the occurrence of the biological interactions/communities that go to make up an ecosystem. For example, I have seen trees planted whose surface levels are around a metre below the surrounding paving level. No matter how well designed, this seems fundamentally wrong to me.
So I’m thinking that there must be a way of dealing with the majority of less intense landscape zones (especially where there isn’t the financial budget that a high-end development attracts) to provide urban regeneration, ecological restoration and biophilic connection, all on a modest budget. This would create a new method to allow for wide-spread adoption in urban and suburban zones. I think the solution comes from Nature’s own process of natural regeneration and a developed philosophy of minimal (but specific) preparation.
silver birch are pioneering species for natural regeneration
Starting from the observation that Nature is very efficient at regenerating itself, what can we do? Too often, I have seen unnecessary interference in this process. I still recall that a few years after the great storm of 1987, I walked through some nearby National Trust woodland of pines and birch. A great deal of damage had been done with many trees blown over. Birch had however, regrown abundantly from dormant seed and was already three or four foot tall. The NT then sent in the bulldozers to clear out the fallen wood so the area could be – replanted. I watched them tracking over all the natural regeneration. Why didn’t they just leave well alone? The restoration of the woodland was only slowed down by such clumsy interference and this was not even a productive forest.
If we simply broke up paving in our urban centres and loosened up the sub-base, what would happen? Nature would soon find a footing and things would start to grow; however, that process would be too slow and unpredictable for human sensibilities. So what if we did a little more, adding a small amount of topsoil to the rubble, planting small (1+1 year transplants) bare root trees and shrubs, with plugs of understory forbs, ferns and grasses. Starting so young, we’d generate a successful community in no time. These could be designed as narrow ribbons – two to four metres wide, inserted into suitable wider areas of paving.
An urban area suitable for natural regeneration
The above area was one I thought would be suitable for such an approach; there are many such areas throughout all urban spaces. They cry out for regeneration, yet seldom can this be done for lack of adequate finance. Below is a quick sketch showing how it might look.
Sketch showing regenerative planting
The benefits of such an approach would be huge. It would cost far less than using a traditional approach to landscaping such an area, maybe half (I haven’t costed it!). The care would move from maintenance to management, using a rotational coppice methodology, rather than trim and tidy (which always ruins a plants natural habit. Biodiversity would be hugely enhanced, air pollution mitigation would increase, wind buffering, urban heat island reduction, stormwater runoff (they would act as rain gardens) and of course, our biophilic needs, our connection to nature.
I have been lucky enough to have designed and built a lot of water gardens in my time; I’ve been looking back over some of my pictures, and thought I’d share them here. Working with water is like nothing else; it is enigmatic, frustrating, contrary, exciting and absolutely rewarding in a way that few other mediums can be.
A Naturalistic pond with simulated wetlands and planting
Pond bio-filters clean the water, naturally
A stream runs down to the pond
A stream runs through a gravel-garden
A bridge of sleepers over the stream
A gentle waterfall emerges from within willow bushes
I was chatting to the local farm manager the other day, out on the snow-lined track. “There’s nothing in the hedgerows for the birds” he told me. It made me glad that there was in my garden, which borders the track and fields. It also brought home such a startling truth: the birds need us and we need to garden for them, and that means for the whole food-chain.
A Robin sits on one of our Wayfaring Trees – Guelder Rose, or Viburnum opulus.
The picture shows a Robin; but they don’t eat the berries; Blackbirds and Thrushes do, at least around here. I’ve been wondering why, since the berries were first produced in Autumn, they hadn’t been eaten; perhaps they were saving them for harder times, maybe it is not their favourite, but it is there, they are eating them and so surviving. I’m so glad that a planting choice I have made has made a tangible difference to the birds. Although native, Guelder Rose does not naturally grow on the south coast, so perhaps they simply hadn’t discovered the fruit – but they have now and the bushes are almost bare. To me, this is the best reason to garden for wildlife; the simple rewards are better than almost anything I can think of…